|
Mander Organs
The firm, established in 1936 by Noel Mander, was initially a modest enterprise. It blossomed after the war as it sought to get working organs into bomb-damaged churches. In the 1960s, Mander began to build new organs, some of which employed mechanical actions.
By the time Noel Mander retired in 1983, the firm’s reputation had been boosted by a number of significant contracts, including the rebuilding of the Grand Organ at St. Paul’s Cathedral. Since then the company has been directed by Noel’s son, John Mander. Over the past twenty years the company has developed markets around the world, notably in Australia, Japan, Scandinavia, North America and the Middle East. The St Peter’s commission
Mechanical action (where the connection between keys and soundboard is effected by a finely balanced mechanism of rods and levers) has proved more reliable and longer lasting than electric actions generally favoured in the post-war period. Over time, organists have come to recognise that the more traditional mechanical action gives them better control over the way the pipes speak and tactile feedback from the opening pallets, leading to a more musical performance. The control of the stops, however, remains electric. This allows for the inclusion of a computerised system whereby the organist can set up collections of stops that can be recalled at the push of a button. The modern art of organ building
While it is clearly impossible for one instrument to produce authentic performances of the whole organ repertoire, they should, at least, be musical. This is achieved by scaling and voicing the organ for a high degree of blend so that the organist can select from almost unlimited combinations of sounds and registers to recreate the music as effectively as possible. Acoustics play a crucial role in this so the old carpets have been removed from St Peter’s. This has had the pleasing side-effect of enhancing congregational singing and the effectiveness of the choir. Casework design
We have sought to create a design that gives the organ the appearance of having been in St Peter’s church forever. The carvings and casework mouldings take their inspiration from design features already in the church – notably the gothic screen and the pulpit. In years to come the stained English oak casework will mature, bringing it into even closer harmony with its architectural environment. We hope that this organ will give pleasure to many generations of congregations and that it will assume an important role in the biennial International Organ Festival for which St. Albans is so famous. A good organ not only provides inspiration for organists to find new tone-colours to play with, but also to explore the vast organ repertoire. We hope that this will be the case at St Peter’s and look forward to a long and happy association between the church and Mander Organs.
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Welcome | Christianity | Prayer Requests | Worship at St Peter's | Baptisms | Weddings | Funerals | Music & Choirs | Organ Project | Activities | History | Parish News & Views | Community Links | Photo Gallery | Contact Us | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||